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The RC spot on “Moving With Nancy” was as big as he got, and soon after he moved back home, to Ashfield, the inner-west suburb of Sydney where I heard “Some Velvet Morning” for the first time.īut it was Rowland S.
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In 1967 he moved to California, trying to make it big. playing instrumental covers of popular country and western hits. Porter was an Australian lap steel guitarist, who made a minor name for himself as Rob E.G. On a rooftop, by a swimming pool, atop a Spanish castle, and surrounded by motionless women sipping from goblets, Robie Porter smiles and sings news of RC’s “mad, mad, mad! mad cola.” Why is Robie Porter in Spain, singing about Royal Crown Cola? It’s never quite clear. When the final frames of Lee Hazlewood galloping across the ridge and into the night fade to black, NBC brings the “Moving With Nancy” audience to Spain.
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The overall effect is menacing, full of sex, and to be inside the duet is to exist, for a few moments, as both predator and prey. The music gradually accelerates, as though the vocalists are hurtling closer to one another, their parts cutting closer and closer together. Nancy sings about dragonflies and daffodils. Tempo shifts, and Lee sings the same thing he sung before, but faster. Hazlewood sings his part in 4/4, while Sinatra sings hers in waltz time. Hazlewood begins: “Some velvet morning when I’m straight, I’m gonna open up your gate.” He promises maybe to tell you about Phaedra, and “how she gave (him) life, and how she made it end.” Then the time signature changes. Six months earlier, Joan Didion wrote her essay “Slouching Towards Bethlehem.” Of that year she said, “The market was steady and the GNP high and a great many articulate people seemed to have a sense of high social purpose and it might have been a spring of brave hopes and national promise, but it was not, and more and more people had the uneasy apprehension that it was not.” “Some Velvet Morning” was recorded at Capitol Studios in the autumn of 1967. Per the Oxford English Dictionary, Compassion: Suffering together with another, participation in suffering fellow-feeling. The San Francisco Oracle issued an announcement that summed up the project of 1967: “A new concept of celebrations beneath the human underground must emerge, become conscious, and be shared, so a revolution can be formed with a renaissance of compassion, awareness, and love, and the revelation of unity for all mankind.” The year had begun with San Francisco’s Human Be-In, where Timothy Leary had urged the crowds to “Turn on, tune in, drop out.” Peace.
And he wrote “Some Velvet Morning,” a song that Rolling Stone, The Daily Telegraph and other publications have called one of the greatest duets ever recorded.ġ967 was the year of “Some Velvet Morning” and the horse ride along the Pacific featured in NBC’s “Moving With Nancy”, brought to you by the Royal Crown Cola Company (“ It’s a mad, mad, mad! mad cola”). 1967 was also the year of the Summer of Love, the crystallization of all that the 1960s promised. He wrote “These Boots Are Made For Walking” for Nancy. Nancy Sinatra had, until the mid-sixties, been the favorite daughter of her famous father and a mediocre pop singer without a hit. This Very Special Television Presentation of “Some Velvet Morning” is a precise encapsulation of the haunting weirdness of the song that Hazlewood wrote and recorded with Sinatra in 1967. Each verse becomes unsettlingly shorter, the song progresses, but in the entire three minutes and forty seconds the two never appear in the same frame. “Look at us but do not touch,” sings Nancy, crouching in the grass, “Phaedra is my name.” She is blonde and fragile and beautiful. Elsewhere in the landscape, Lee Hazlewood rides his horse along the shore.
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All white mod pantsuit and hairspray and mascara, she seems far from the flower children who, that year-the summer of love-were prophesying a future of peace and liberation and coming together. She advances through the flowers like a woman who can’t quite give herself up to nature. The waves come in, the time signature shifts, the film cross-fades, and Nancy Sinatra appears walking through a field. He rides along a ridge and down to the bleached-out brown and blue of the Pacific in fire season. Strings swell, and the silhouette of a man on a horse emerges from over a cliff. There’s a video clip you can find online which was recorded in 1967 as part of NBC’s television special, “Moving With Nancy.” A full moon sits low in a sky clouded by smoke.